Much of his most celebrated work dates from the 1960s, when songs such as 'Blowin' in the Wind' (1963) and 'The Times They Are a-Changin' (1964) became anthems for the Civil Rights Movement and anti-war movement. Shop for Vinyl, CDs and more from Brian Bromberg at the Discogs Marketplace.īob Dylan (born Robert Allen Zimmerman May 24, 1941) is an American singer-songwriter, author, poet, and visual artist who has been a major figure in popular culture for more than fifty years. Explore releases and tracks from Brian Bromberg at Discogs. In the process, however, he has been able to drop a major piece of the modern jazz ensemble - as emphatically stated in the liner notes to You Know That Feeling. AllMusic Review by Matthew Robinson As Bromberg has picked up more and more musical partners, he has also picked up more and more playing styles. Sometimes you may mistake his bass for a lead guitar but it is always bass from Bromberg, melodic, sweet and with authority. A440 Music Group To Release Jazz Bassist Brian Bromberg's Newest Cd. Md5 files, shn tool_len files and text file added. Tag: Bootlegs Lossless Bootleg Bonanza: Van Morrison – Way Up the Avenue. Falling In Love With Love (Richard Rodgers). When you take into account that a music marketing giant like Universal has a vested interest in and dedicated teams for promoting, securing commercial syncs, and preserving the artist's legacy, there are worse places for an artist to be.Niels-Henning Orsted Pedersen & Sam Jones - Double Bass 1976 01. At the twilight of his career, taking the money and running doesn't seem like a horrible option for Dylan. While Dylan has given up his entire catalog, any future recordings he makes are not included in the Universal deal. Unlike annual royalties, which are taxed as ordinary income, the estimated $400 million or so he's getting from Universal is taxed as capital gains, which would save him millions on his tax bill even when adding state and net investment income (NII) taxes. After decades of receiving yearly royalty checks and making considerable money off the music he's owned, getting a lump sum payment with multipliers accounting for future royalties at 79-years-old probably more than doubled his wealth. While it's arguably bleak to think of songs as investment assets, Goldman Sachs did predict music revenue will more than double to about $131 billion by 2030 so putting money in songs might actually work to diversify a stock portfolio.įor a legacy artist like Dylan, cashing out now also makes sense. It doesn't require any proactiveness." That, coupled with historic lows in both interest rates and inflation means that they can pay a premium for publishing rights. Investing in music royalties escapes that codependence.
"If you're investing in a tech stock, a lot of the bigger tech stocks move in the same direction a lot of the time. "If the investment is good, if you're investing in proven back catalogs, they tend to perform really well independent of any stock movements," music business writer Cherie Hu told VICE in March. For buyers, artists' catalogs are commodities that can be traded like gold or oil. There's a reason for this influx of big purchases: music royalties and intellectual property (IP) have become investment opportunities due to the fact that royalty payments can remain steady despite fluctuations in the stock market. Hipgnosis Songs Fund, a fast-rising investment company, paid top dollar for the rights to catalogs from Jack Antonoff, Blink 182's Tom Delonge, Barry Manilow, Blondie's Debbie Harry and Chris Stein, and many more. Just this year, Stevie Nicks sold 80 percent of her catalog to Primary Wave Music for $100 million.
ALL MUSIC BOB DYLAN DISCOGRAPHY FULL
Though this sale is the biggest of its kind, it's one entry in a year filled with deep-pocketed buyers acquiring musicians' full discographies. Why would Dylan, a 79-year-old music legend who has long owned the copyrights for his discography and already has an estimated net worth of hundreds of millions, cash in now? But after looking at recent trends in publishing rights acquisitions, projections for how the music industry will look in the future, and Dylan's unique position as a songwriter, it begins to make sense. At first glance, the deal is quite a shock.
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